![]() ![]() The structures holding them, viewed from the back, take on the look of stark memorials. Mildred’s angry messages – black letters on a red ground – are decidedly confrontational. And it’s not long before the billboards in Martin McDonagh’s film have become a truly formidable image, from two aspects. Even before these words appear on them, the hoardings have something to say: the dim palimpsest of old adverts indicates their long disuse. The notices she has posted on them – ‘Raped while dying’, ‘And still no arrests’, ‘How come, Chief Willoughby?’ – refer to the assault and murder of Mildred’s teenage daughter Angela, seven months previously. Mildred Hayes (Frances McDormand) rents three billboards near her home in Ebbing, Missouri.
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